Ebook Illuminations: Essays and Reflections, by Walter Benjamin
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Illuminations: Essays and Reflections, by Walter Benjamin
Ebook Illuminations: Essays and Reflections, by Walter Benjamin
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Language Notes
Text: English, German (translation)
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From the Inside Flap
ontemporary art and culture by one of the most original, critical and analytical minds of this century. Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times.Reflections the companion volume to this book, is also available in Schocken paperback.
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Product details
Paperback: 278 pages
Publisher: Schocken Books (January 13, 1969)
Language: English
ISBN-10: 0805202412
ISBN-13: 978-0805202410
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 5.6 ounces
Average Customer Review:
3.5 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#248,489 in Books (See Top 100 in Books)
The book was missing several chapters: it only had 2 essays by Benjamin and it was supposed to have 10 or so, and was only 109 pages as opposed to about 280. Specifically, it did not have Work and Art in the Age of Mechanical Reproduction.
This was a pretty excellent (and challenging) survey of Benjamin's work, with included pieces mostly concerning storytelling and particular literary figures (e.g., Kafka, Proust, Leskov). I'd say this collection is particularly helpful in that it proceeds, as I read it, thematically. The editor's introductory piece isn't really worth reading--mostly just a reflection on Benjamin's "continuing importance", pretty standard (though I will say his criticisms of Benjamin, like his reluctance to give in to Scholem, amount more to complaints than critiques). In contrast, I found Arendt's essay incredibly enlightening. She relates not only much of the content of Benjamin's thought, but offers insight into his personal life (e.g., his experience in the Parisian Arcades, his collective impulses) that assists greatly in understanding the experience motivating some of Benjamin's analyses (e.g., of the crowd, of the collector, of the character of the flaneur). In some retellings, as in his chronic financial/employment troubles or the unfortunate coincidences leading to his suicide, a sense of melancholy or "bad luck" is almost palpable, particularly given Arendt's close relation to Benjamin.As for the essays themselves, anyone who has read Benjamin is aware of how challenging the prose (if we may call it that) is. As Arendt notes in her introduction, Benjamin is a poetic thinker, and tends both to assume a fair amount of foreknowledge and employ sophisticated (and often extended) figurative devices, e.g., simile, to relate his points. Contrast this with the geometric prose of Spinoza and other modern philosophers, with their numbered axioms, definitions, propositions, etc. In his essay on Proust, for example, Benjamin likens the weight of scent in memory to the weight of the fisherman's net by which he gauges his catch, and sentences to the physical labor required to haul it up. There is also some evidence of his on-again-off-again Marxist tendencies (which embarrassing fact, combined with his ambivalence between this commitment and Zionism, is acknowledged in the introduction to the collection), as in his late essay on art modified by mechanical reproduction, plus the more obvious shoehorning of concepts like "class struggle" and "proletarianization". Nevertheless, this is a fantastic collection which ought to attract both old and new readers of Benjamin--I know I'll be buying Reflections, Illuminations' spiritual companion, and at least some of his standalone work.
This edition of Illuminations is incomplete. It only contains three essays ("Unpacking My Library," "Task of the Translator" and "The Storyteller"), none of which are Benjamin's most well-known. Spend the extra five bucks to get the Schocken Books edition: Illuminations: Essays and Reflections.
Walter Benjamin put everything he knew into everything he wrote. It all resonates. This makes for challenging reading - at times, it seems like what he is saying is simply too much at a tilt with everything one thinks one knows to seem comprehensible. Then, suddenly, one tilts, and the extraordinary reach, eloquence and power of this man's reading hits home. Benjamin is difficult in the only legitimate way - because what he is trying to say can be said no other way.
Good selection of Walter B's between-the-wars brilliant insights. In clear translations. Highly recommended to those interested in memory, Proust, and insights into a troubled political and social environment
I ordered this version, but instead received the version with the orange and white cover. Be careful!
The translation by Harry Zohn must be acknowledged as a masterpiece. Fitting in a work that contains Benjamin's essay "The task of the translator", I wonder if our author wrote in German as beautifully as has been rendered into English. If so Walter Benjamin must be counted as a great literary mind besides one of the finest intellectuals. The introduction by Hanna Arendt crowns the jewel of a book that speaks to everyman and for all times.
A good view of a past that never became present. Benjamin's self-martyrdom might be more significant than his writings since people generally tend to prefer melodrama to sociology these days. Unless you have to read this for class, I recommend you read more contemporary theorists.
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