Ebook Writing in the Dark, Dancing in The New Yorker: An Arlene Croce Reader, by Arlene Croce

Ebook Writing in the Dark, Dancing in The New Yorker: An Arlene Croce Reader, by Arlene Croce

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Writing in the Dark, Dancing in The New Yorker: An Arlene Croce Reader, by Arlene Croce

Ebook Writing in the Dark, Dancing in The New Yorker: An Arlene Croce Reader, by Arlene Croce

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From Publishers Weekly

This retrospective is a treasure trove for dance lovers: over 25 years of New Yorker columns from the dean of New York City dance critics. Croce began at the New Yorker in 1973: "I knew the hour was late: Balanchine was sixty-nine, Graham had left the stage" and a number of stellar careers were on the wane. This collection, much of which appeared in Croce's earlier works (Afterimage; Going to the Dance; Sight Lines), goes on to provide an insightful, discerning account of recent dance history. Croce was present for all of the high points: Baryshnikov's 1974 defection, Suzanne Farrell's return to the Balanchine fold from European exile the same year, Paul Taylor's emergence as a choreographic heavyweight, and the ever-evolving, occasionally explosive interweave between ballet and modern synthesis, among others. Croce pursues more scholarly offbeat interests at times: "Kyli n an and His Antecedents," on the Czech master, for one, and possibly her most controversial column, "Discussing the Undiscussable." This 1995 attack on what Croce calls "victim art" (in which she criticized a work she had not seen) caused a major brouhaha with choreographer Bill T. Jones and the wider artAnot just danceAworld. Croce's introduction provides some welcome personal notes: she herself never studied or performed dance or music at all, but she understands and explains her role as critic and witness (including, incidentally, how she makes notes in a darkened theater). Croce is one of dance's best writers, and any balletophile or modern dance lover who hasn't already acquired her earlier collections will want this richly rewarding volume in their personal library. (Nov.) Copyright 2000 Reed Business Information, Inc.

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From Library Journal

For more than 20 years, Croce's dance essays in The New Yorker captured the essence of the most elusive of the performing arts. Although most of these pieces were previously collected in three compilations that are now out of print (Afterimages, Going to the Dance, and Sight Lines), they, and others, are now gathered together for the first time. Here, Croce analyzes and describes individual dancers, choreographers, dance companies, performances, and trends with a turn of phrase as elegant as a brilliantly executed pas de deux. Always thoughtful and often thought-provoking in her reflections, Croce's essays exult in the sublime and excoriate the ridiculous. One essay in particular, "Discussing the Undiscussable," in which Croce coins the phrase "victim art," ignited a controversy that became one of the famous battles of the "culture wars" of the Nineties. Drama critic Kenneth Tynan once said that " a good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening." Croce is a great dance critic. An essential selection for all dance and performing arts collections.-DCarolyn M. Mulac, Chicago P.L. Copyright 2000 Reed Business Information, Inc.

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Product details

Series: Arlene Croce Reader

Hardcover: 720 pages

Publisher: Farrar, Straus and Giroux; First Edition edition (November 21, 2000)

Language: English

ISBN-10: 0374104557

ISBN-13: 978-0374104559

Product Dimensions:

6.7 x 1.7 x 7.9 inches

Shipping Weight: 1.9 pounds

Average Customer Review:

3.9 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,520,192 in Books (See Top 100 in Books)

Love the Book, writing is fabulous.

Croce's writing is a model of criticism--lucid, muscular, sometimes provocative, and deeply engaged. Did she get things wrong at times? Yes. Was she opinionated? Extremely. But what a writer. Utter clarity; no bull; no jargon.

Since Arlene Croce critized Bill T. Jones's 'Still/Here' without seeing it, I'll critize her book without reading it. I did read her original attack in the New Yorker.Croce's attack on Jones was rightly received by the dance world with repugnance and disbelief. I'm not surprised to read that she has no background in dance; she is also a shoddy human being.Buying this book puts money in the pocket of a monstrous person and her publisher. Avoid it -- and her -- like the plague.

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PDF Ebook Paris From Above, by Yann Arthus-Bertrand

PDF Ebook Paris From Above, by Yann Arthus-Bertrand

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Paris From Above, by Yann Arthus-Bertrand

PDF Ebook Paris From Above, by Yann Arthus-Bertrand

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Product details

Hardcover: 232 pages

Publisher: Hachette Livre (October 16, 2010)

Language: English

ISBN-10: 2812301066

ISBN-13: 978-2812301063

Product Dimensions:

11 x 1 x 15.8 inches

Shipping Weight: 6.3 pounds

Average Customer Review:

4.5 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#1,133,430 in Books (See Top 100 in Books)

This book is filled with aerial pictures of different parts of Paris. Paris is one of the most beautiful cities and this captures all of the most beautiful places all around the city in one book. It is great as a coffee table book for someone who loves Paris and great for a flip through as well.

I saw the wonderful video in Paris at the Marmottan Monet Museum. I was able to view his fantastic photographs exhibited there as well as see the video set to French songs. I bought the book and it is just a wonderful keepsake for anyone that loves Paris. My regret? That I can't get my hands on the incredible video as well. BUY THE BOOK!

I Didn't pay attention to how small it was, but Its a great little book.

It's a "must" for every bookcase. Splendid photos displayed in the appropriate size book. If you have been to Paris, you will see it like never before and if you haven't, you will definately want to visit it.

Absolutely beautiful pictures of a Paris we will never otherwise see. .... Our love affair with this fair city continues!!

I am cross-posting here my review of the smaller-format (and cheaper) version (ISBN-13: 978-2812308772) of this book published in 2013.With the 3 stars it seems I am being critical but it is a reflection of the editing rather than the photography.....................This somewhat smaller (in physical size; page number is identical) than the original edition. It is close to A4 size in landscape format and so is not "small" and I find the size to be perfectly adequate. The photography is of the expected high quality and reproduction is fine (the "cheaper" edition is presumably entirely about size rather than quality of print or paper etc). It is published by Editions du Chene/Hachette Livre and is printed in Italy.The imperfections relate to the formatting. For those only interested in a coffee-table book with pretty pictures and don't care much about the content, then they won't be bothered about my concerns.First, I have a gripe with many similar books when the information (caption) to each photo is not on the same page (or opposing page). Instead captions are grouped together approximately every ten pages, ie. with 8-10 captions together. That is marginally better than the even worse/dumber habit of some modern books of putting them all together at the end of the book! Worse, the location of the captions is not consistent--in some cases it is before the group of photos they describe, sometimes after, and in at least one case, both! It shouldn't be a chore to read about the photo. I suppose this is justified on the dubious argument that captions within the photos themselves would compromise the integrity of the photo. But I would prefer that or to have the photos slightly smaller on the page with the caption adjacent on the same page.Second, although I always am hungry for more information on the subject I would say the ≈50 to 100 words is not bad, however location information is inconsistent. Sometimes street addresses are given but sometimes there isn't a clue as to where the subject is. I reckon at minimum the arrondissement should be given (or suburb, as a few are just outside Paris). I really like to get a geographic feel for a city so I would actually like a map showing where the photos are taken. In fact the endpapers are double-page spreads of a satellite (or high-flying plane) image of Paris which is nice but for most people not very useful--it could have easily had the numbers of the photos on it.Third, the text pages are not numbered while the photo pages have the page number (and 2 or 3 word decriptor) in tiny print in the inner (binding) edge on both facing pages! This adds to gripe #2 in making it a real bore to connect the two or to find a photo from the caption, or the index.Fourth, the index is deeply inadequate. Only about half the photos or locations are listed (≈130 of 232) and are listed in a very uninformative, impractical manner, eg. all "Places" are listed under P. It is really quite trivial for a proper index to be compiled and I like it to be done in several ways, such as alphabetical (but using the unique name not the generic feature like P for Place or S for Square!) and by arrondissement (which is the primary way one thinks of Paris in a geo-location sense). Almost certainly the publisher already has this information compiled in some file.And that brings me to gripe at those editors. There were a whole bunch involved in the production of this book (7 listed in addition to the 2 authors), not counting the unpaid interns who probably did the actual work! So there is no real excuse for being so lazy on all these issues. They are really not adding much to the publishing exercise and are not serving the photographer well. Such a pity when one realizes how much time and effort has gone into getting these photos.There are really only two other comparable books.The first was Robert Cameron's (and Pierre Salinger) Above Paris (ISBN-13: 978-0918684196) which was published in 1984 (and to my knowledge not updated). Although it has fewer pages at 160 compared to 232, it somehow seems more comprehensive. That may partly be due to the larger format (book & pictures) and so each photo covers a wider aspect. The spectacular cover photo is an excellent example because it encompasses both islands, part of the Marais and right-bank highlights such as Hotel de Ville, Louvre, Centre Pompidou, Les Halles etc; and Leftbank. It also covers the near banlieu (cathedral Saint Denis, Neuilly etc), the airports and many of the fabulous chateaux in Ile de France.The other book is Philippe Guignard's "Paris Flying High" published in 2007 (ISBN-13 978-8854403413). It is a smaller format (a bit bigger than A5 in landscape) than the Arthus-Bertrand book, but I wouldn't hold that against it. At 518 pages it is two and a quarter times the size of the latter so it also feels more substantial.Both these other books have better organization with respect to captions but both don't have much in the way of geo-location information. I'm a fan of all three books so it is hard for me to suggest only one of them. This version of the Arthus-Bertrand book is a great bargain at the Amazon price

I am writing mostly in response to the comments from Dr J E Robinson (Jack in Toronto). I share Jack's general appraisal that this is a "wonderful" book and "the photos are stunning."However, I felt that Jack's references to the book's size/length ("short book...not big....all too short") might unduly discourage potential buyers. This is a magnificent book, over-sized, with many double-paged, marginless photographs. The page count, 183, is not great but this is not a "small" book. It comes in on my postal scale at 3 1/2 pounds! I could easily see this book priced at $... As long as Amazon continues to offer it at $..., it is aa terrific value.An extra feature of this book that I particularly enjoy is the color, satellite image on the endsheets (front and rear). This is a great image for keeping yourself oriented. I give it an enthusiastic five stars, both in absolute terms, and in acknowledgement of what seems to me an excellent value.

The images in this book are first rate and very vivid. Paris is of course a gorgeous city and making her look good is not that difficult, but this book does show her at her best. It's easy to forget at street level how green Paris is and how many parks and private green spaces the city possesses, when viewed for the air you see how brilliant Haussmann, Napoleon III's prefect of the Seine, redesigned the city. It was said he designed the grand boulevard so that the Emperor could easily get troops in in the event of politcal unrest, but whatever the reason it makes for a spectacularly beautiful city. I highly recommend this book to anyone with a love for Paris, and frankly who could not love this singular city.

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